Hunter of Ends is, at the same time, a scientific, metaphysical and realistic, philosophical and political work, which invites the viewer to expand the limits of their lived life, of the knowledge and perception of their existence, through the interweaving of multiple plots. It is not about escaping from this world, or traveling to other worlds to escape the pain of this one, but about giving our existence a plural dimension. The quantum as metaphor. Deautomatize our relationship with life to enrich it. The world, this plural world, as “open poetry.” Without a doubt one of the functions of the new theater is to build new pacts with the spectators: Hunter of Ends calls not so much for a quantum reconsideration of life, but for a re-enchantment and a re-spiritualization of our existences. (from the prologue by Jorge Dubatti)

https://www.editorial.unlp.edu.ar/teatro/cazador-de-finales-22402